There is a world of difference between acting in a theatre and before a camera. Although acting is involved in both the cases, the modes of acting are quite different. In the theatre, there is no scope for retakes, no digital voice modulations or for that matter, less digital support. It is a place, which really moulds an actor and the after effects of the technicalities learnt here can be seen throughout the actor’s career. This sample is a resume of an actor, who has worked only in the theatre. He has also got many skills inevitable for working in the theatre that makes him a unique applicant. Any visitor can unreservedly use this sample towards their own end.
Ross Carter,
562, Chestnut Avenue,
Manhattan, NY 47256,
(123)-456 7860.
Weight: 185 lbs562, Chestnut Avenue,
Manhattan, NY 47256,
(123)-456 7860.
Height: 6'1"
Eyes: Green
Hair: Brown
Theater
| Rip, Rumple and Roll | Red Pewsy (Lead) | Monolith Prods., CA |
| The Lion in Winter OOBR Award Winner | Mr. Allen | Monolith Prods., CA |
| Jackie and the Stringbeans | Commander (Lead) | Jamario Moon Players |
| The Emperor's New Clothes | Hortensio (2nd Lead) | Monolith Prods., CA |
| Anna Christie | Blue Eyes/Oswald (Lead) | Christchurch Repertory |
| Two Gentlemen of Verona | Sandy | Ensemble Studio Theatre |
| Twelve Angry Men | Paul Ames (2nd Lead) | Looking Glass Theatre |
| Alligator Pass | Scott (Lead) | Grace Theatre Company |
| Inherit the Wind | Count Gregor (Lead) | Riant Theatre Company |
| La Ronde | Herman (Lead) | Queensland Theatre Co. |
| The Stronger | Murderer/Donaldbain | Black Ent. Theatre |
| A Carole Christmas | Soledad (Lead) | Pocket Sandwich Theatre |
| Isadora Duncan and the 12 Apostles | Young Gentleman (Lead) | NADA Theatre |
| Henry V | Orleans/Burgundy | Santa Barbara French Festival |
| Where the Snowflakes Bloom | Madame Y (Lead) | American Theatre of Actors |
| Macbeth | PJ (Lead) | Pocket Sandwich Theatre |
| The Widow's Kiss | Demo (Lead) | Pocket Sandwich Theatre |
| Breakfast Served Anytime | Juror 10 (Lead) | Frisco Theatre |
| Giants Have Us in Their Books | Thurio | Harold Clurman Theatre |
| Fools | King Philip (Lead) | Richardson Theatre Ctr. |
| The Taming of the Shrew | Raff (Lead) | Harold Clurman Theatre |
| The Werewolf of London | Bannister | Love Creek Prods. |
| Dark of the Moon | Announcer Guy (Lead) | Harold Clurman Theatre |
| The Man Who Came to Dinner | Mat Burke (Lead) | Actor's Theatre of Dallas |
| Coyote Ugly | Charles Dickens (Lead) | University of California |
| Fuenteovejuna | Dread Pirate Roberts (Lead) | University of California |
Special Skills
Horseback Riding; Conversational Spanish; Volleyball; Stage Combat; Medical Terminology/Wardrobe; Tennis; Some Modern Dance; Wide Variety of Voice/Specialty Voices; Large Wardrobe/Vintage Wardrobe; Vampire Fangs; Computer Skills; Valid Passport; Weights; 2 Cats; Run; Driver's License.
Dialects: Boston, Slavic, Southern, Irish, Non-Regional, English, Cockney, French
Education
Various Studios in California
Character Development, Audition Technique, Monologues, etc.
Character Development, Audition Technique, Monologues, etc.
University of California
Bachelor of Arts in Theatre
Bachelor of Arts in Theatre
0 comments:
Post a Comment